Mike Steger frames the latest assassination attempt on Trump as political warfare inside a propaganda ocean, then walks through midterm fights — Russiagate prosecutions, ActBlue/NGO money flows, the Save America Act — Iran's fractured regime, and Trump's five DPA energy memos.
Susan Kokinda links Saturday's third Trump assassination attempt at the Washington Hilton to King Charles' Washington visit and a new House of Lords report — arguing the British imperial system fears Trump's American System revival the way it feared McKinley.
Brian Lantz takes you on the factory floor of the American economy: durable goods +8.2%, manufacturing construction +20.2%, machine tool orders +22.5%, the U.S. now the world's third-largest steel producer. It's being built, baby, built.
The globalists didn't just attack our economy and sovereignty — they waged a centuries-long war on our culture. Toni Sellars and Mindy Pechenuk trace the battle for classical music from Brahms to the boardrooms of Wall Street.
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Because the destruction of classical music in America wasn't an accident — it was a project. And understanding that project is essential to reversing it.
In this week's class — the second in a series on classical music — Toni Sellars walks through the science of the human singing voice and the principles of Bel Canto, showing how the natural registers of the voice are the foundation of all great music. Every human being who can talk can learn to sing — and that capacity is itself a political statement about what it means to be human.
Mindy Pechenuk then takes viewers on a sweeping journey through the 19th and 20th century battle over music's soul — and America's.
On one side: Johannes Brahms, who steeped himself in Bach every morning, championed the nation-state, and sent his protégé Dvořák to America to compose the New World Symphony.
On the other: Richard Wagner and Franz Liszt — tools of the European oligarchy who promoted dissonance for its own sake, escapist fantasy, and sense-worship over reason. Wagner was literally a participant in the violent anarchist uprisings of 1848. Liszt wrote eulogies to Napoleon III.
The story doesn't end in Europe. Mindy traces how Liszt's networks — through the Damrosch family — planted themselves in New York and laid the groundwork for the "New American Music" project: a Wall Street– and British-financed operation, run through the Fontainebleau Conservatory in France, designed to strip classical principles from American musical training.
The Rockefellers, Vanderbilts, Fricks, and Astors bankrolled it. Nadia Boulanger ran it. Nearly every prominent 20th-century American composer came through her salon.
The result? Generations of Americans cut off from the music that builds beautiful souls — and children today who can't even read the words in a choral score.
But Mindy ends on a note of profound optimism. President Trump has brought beauty back to the White House — from classical performances at the Governor's Dinner to his executive order restoring beautiful architecture. Melania Trump, in her opening address as president of the UN Security Council, declared that a nation which makes learning sacred protects its future.
The cultural renaissance isn't a side project. It's the heart of what we're fighting for.
Watch the class and hear the music for yourself.
—Promethean Action Editorial Staff
Brian Lantz takes you on the factory floor of the American economy: durable goods +8.2%, manufacturing construction +20.2%, machine tool orders +22.5%, the U.S. now the world's third-largest steel producer. It's being built, baby, built.
Victor Glover's Easter message from lunar orbit has a 600-year lineage. Bob Ingraham traces the unity of Christian faith and scientific breakthrough from Dufay and Josquin to Brunelleschi, van der Weyden, and the carracks that opened the New World.
Trace the deliberate cultural campaign that forged the intellectual foundations of the American Revolution: from Leibniz and Swift to Handel and Benjamin West.
Discover the satire, music, drama, and painting that armed the American Revolution — from Swift and Handel to Benjamin West and Charles Willson Peale — and why recovering that culture is essential today.
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