This Garbage Has Nothing to do with the American Revolution
Review: "The American Revolution" created and directed by Ken Burns, aired nationwide on PBS on consecutive nights from November 16 through November 21, 2025.
Review: "The American Revolution" created and directed by Ken Burns, aired nationwide on PBS on consecutive nights from November 16 through November 21, 2025.
At 12 hours long, this latest offering by Ken Burns is 25 percent longer than the original and now lost 9 hour version of Erich von Stroheim’s epic silent film Greed. At such an extreme running time, one might have expected a comprehensive and insightful analysis of what was the greatest revolution in human history. Such is not the case.
There are a couple of giveaways right off the bat. Titled The American Revolution, the numerous “voice actors” employed in the production include a whole slew of Hollywood personalities who notoriously suffer from Trump Derangement Syndrome, including Jeff Daniels, Tom Hanks, Meryl Streep, Liev Schreiber, Mandy Patinkin, Edward Norton, Michael Keaton, Samuel L. Jackson and Ethan Hawke, among many others. Trump haters each and all.
The primary narrator for the entire series is Peter Coyote. Born Robert Cohon, this individual changed his name to Peter Coyote after ingesting a huge quantity of the hallucinogen Peyote, and he went on to become one of the founders of the drug-saturated Diggers anarchist commune, during the 1967 “Summer of Love” in San Francisco.
Not a promising start.
Additionally, more than two dozen “expert historians” provide commentary for the six episodes, and despite several Pulitzer Prize winners among them, their contributions overall demonstrate a remarkable shallowness with respect to their comprehension of the subjects they pontificate on.
A small few, like Joseph Ellis, struggle to make serious contributions, but the majority seem to have imbibed rather heavily from Howard Zinn’s unbelievably fraudulent History of the American People, leading to a plethora of “woke” commentary.
The worst feature of the work is the insistence, hammered away at over and over again, that in allegedly fighting for human liberty, the intention of the American colonists was actually to establish an empire based on black slavery and the extermination of the Indians. Unbelievably, the twin subjects of black slavery and the murder of Indians and theft of their land takes up a THIRD (!) of the total running time.
These themes are interspersed throughout the 12-hour narrative such that not ten minutes goes by without a new segment on genocide against the Indians or American abuses of the slaves. These segments are repeated ad nauseam, and really become the main theme of the entire piece.
More incredibly, in enumerating the crimes against Blacks and Indians, the British are held up as the friends and defenders of both races. Not just in passing but repeatedly. The British are portrayed as the champion of the Indians against the American imperialists and land speculators. Similarly, it is the British who are fighting for black freedom. One “historian” states that Indians and Slaves would both have benefitted if the Revolution failed,—that the British Empire would have protected them.
George Washington, Benjamin Franklin and others are described as greedy land speculators, intent on making their fortunes off of “stealing” Indian Lands. One of the “historians” declares that Washington “stole thousands of acres” of Indian land. At the same time, Washington is portrayed as a fierce defender of slavery. This is an outrageous falsification of history in every respect.
The overriding feature of the mini-series is shallowness. Coyote’s narrative is on the level of a middle school history class, and even many of the “expert” commentators might want to sue the universities which awarded them degrees in American History. That said, there are other grievous problems. Here we mention just a few.
Overall, it was 12 wasted hours watching this nonsense. Not surprisingly, The American Revolution received rapturous praise in Trump-hating media outlets, such as the New York Times, the Hollywood Reporter, Vanity Fair and Politico. The only consoling thought is that probably most of the people who watched it voted for Kamala Harris, so it probably won’t do too much damage to the general American population.
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