Today's show is over, check out the replay and join us LIVE next Thursday. Overnight the board moved: the Senate reversed course on Iran, Trump declared the SAVE America Act a national emergency, and he's ordered the DOJ after gas-price gouging.
New Fed Chairman Kevin Warsh just buried the Phillips Curve "cruel choice"—and the Trump Administration is building the replacement with directed credit and reindustrialization. The deeper engine of non-inflationary growth: human creativity, the American System's answer.
Tulsi's new biolab disclosures point to a single network centered on Dr. Anthony Fauci — from the 2014 NIH grant to Wuhan, to 40 US-funded labs in Ukraine, to the Biden-era cover-up of COVID's origins and Fauci's two proven lies to Congress.
“You’ve got him,” the consort Queen, Camilla, proclaimed to the artist, Jonathan Yeo, when she and King Charles III first saw Charles’ new official portrait, revealed to the world on Tuesday, May 14th. It features an Andy Warhol type floating face of Charles emergent from an otherwise blood red field. Some, literate in the centuries of oligarchic murders of millions by the British Empire, saw the painting as based on the famous lines from Macbeth: I am in blood / Stepped in so far, that, should I wade no more, / Returning were as tedious as go o'er (III. 4.136–8). Charles, after all, proudly proclaims his bloodline as that of Vlad the Impaler.
The more resourceful, literate in the pagan, Malthusian, genocidal occult religions peddled by Charles’ World Economic Forum, and its predecessor, British intelligence’s Occult Bureau, mirrored the painting. Unsurprisingly, they found, at the center of the two mirrored images, none other than Baphomet a/k/a Satan. Other than half of Satan in a sea of blood, and Charles’ aging face, the portrait features a butterfly just outside Charles’ shoulder. We are told that it is supposed to signify Charles’ love of nature. In reality, his religion is the pagan one of oligarchy, celebrating those aspects of nature which are destructive while reveling in a hatred of mankind, the subduer of nature as commanded by God.
It is fitting that the artist, Jonathan Yeo, is otherwise famous for portraits of the rich and famous constructed from snippets of pornography.
Myself, I wondered if Yeo was involved in constructing that devil scene at Independence Hall in Philadelphia where Joe Biden, the British stooge, famously appeared on September 1, 2022, for his so-called “Battle for the Soul of the Nation” speech. It too was bathed blood red and featured Joe’s ranting condemnation of more than half the nation as traitors, proper targets for his rogue Justice Department and its modern Stassi, the FBI.
I can’t believe this is a real photograph. It depicts the president of our nation, as he took to the airwaves and spoke about his fellow citizens as if they were sewer rats. pic.twitter.com/bWYxHJfqTa
— J.D. Vance (@JDVance1) September 2, 2022
From Leibniz to Trump's Beijing toast, a 300-year tradition connects American founders to China through mutual development—not rivalry. Discover the forgotten philosophy behind true sovereignty and national greatness.
Eisenhower warned about the military-industrial complex. He should have warned about the financial-military-industrial complex. Will Wertz on the Basel cartel that killed Bretton Woods, drafted the EU, and is still gunning for Trump.
From Ecuador's jungles to Mexico's cartel heartland, a hemisphere-wide military and financial coalition is dismantling the narco-terrorist networks that have claimed more American lives than any war and that have terrorized and killed countless more of our neighbors throughout the hemisphere.
The leaked national security idea that would replace the G7—and why it echoes LaRouche's Four Power vision.
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