Fauci is taking the Fifth, but the question that matters won't be asked: how did he get away with it? Barbara Boyd traces the consensus machine — Lippmann, The Lancet, Daszak's letter — and shows how Michael Kratsios's July 21 science proposal dismantles it.
How did Havana become a global center for revolutionary movements? Mike Steger explores Cuba's influence on espionage, culture, and the future of Western civilization.
New Cuba report says the real target was never capital — it was Western civilization itself. Susan Kokinda traces the fight buried after Casablanca, and why Hamiltonian economics, not anti-communism, is the antidote.
Modern science is built from the bottom up — math, then physics, then life, then mind. Every great discovery was made the other way. Bruce Director on how music exposes what your mind can do that no machine ever will — and why it's the key to a new revolution in science.
Every week, Promethean Action holds a Saturday Class — a deep dive into the ideas, history, and strategic thinking the mainstream won't touch.
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Paid members: Bruce's slides, the planetary-interval audio, and the Bach and Beethoven animations are waiting for you at the bottom of this page. 👇
In 1596, a young Johannes Kepler wrote a sentence that would get a scientist laughed out of most universities today:
God built the universe "as if it were not art which imitated nature, but God himself had looked to the mode of building of man who was to be." — Johannes Kepler
Not art imitating nature. Nature built to imitate the creative mind of man.
It sounds like mysticism. Bruce Director spends this class proving it's the opposite — the most hard-headed foundation science has ever had, and the reason every real discovery was made by people who thought this way.
Tony Papert calls it one of the best classes we've done. He's right, and it rewards a second viewing.
The obvious objection: what does a Bach chorale have to do with the 2026 midterms?
Bruce's answer: the scientific and cultural literacy of a people tracks directly with the health of their society.
A free republic can't be run by citizens trained only to calculate and never to discover. That's the kind of mind every empire has preferred to govern — and the kind our schools, our markets, and now our machines are busy mass-producing.
So this isn't music appreciation. It's about the one thing your mind can do that no computer can.
Almost everyone now accepts one paradigm as "science." Call it reductionism — a bottom-up ladder:
Every rung breaks:
The ladder never reaches the ground. A growing number of scientists sense this and want a way out — but most are lost at sea, because they've never been shown the breakthroughs (Kepler, Cusa, Riemann, Gauss) that point to one.
The heavenly motions are nothing but a continuous song for several voices, to be perceived by the intellect, not by the ear. — Johannes Kepler
Kepler had already overturned 2,000 years of dogma: the planets move in ellipses, sweeping out equal areas in equal times.
The lesson wasn't a formula. It was that the physical universe decides what the mathematics must be — not the other way around. The "perfect circle" had to go because the heavens refused to obey it.
But what ordered the whole system — the spacing and proportions of all six worlds at once? For that, Kepler reached past geometry into music:
The one glaring exception: the huge, discordant gap between Mars and Jupiter. Kepler insisted something belonged there.
Two centuries later, an object turned up in exactly that gap — Ceres, the first asteroid, the discovery Bruce walked through last class. The belt is simply too discordant to have ever held together as a planet.
Geometry is one and eternal, shining in the mind of God. That share in it which we humans have is one of the reasons that man is the image of God. — Johannes Kepler
Here's the payoff.
To write the soaring polyphony of the Renaissance — many independent voices at once, like Josquin des Prez's Ave Maria against a single-line Gregorian chant — you have to get around the Pythagorean comma.
Pure string ratios can't do it. You have to temper the notes — derive them from a higher principle the mind and ear supply, that the string alone never gives.
That act creates a genuinely new geometry: musical space, where intervals are rotations around a spiral, not lengths chopped off a string. In that space:
make dissonance itself the subject — using the most unstable intervals to lift the mind to a resolution on a higher level.
This is why music belongs in every child's education — not as entertainment, but because a mind shaped by music is organized differently. It has felt the creative power calculation can never touch.
So flip the broken ladder upside down:
You don't reduce that downward into formulas. You express it directly — through art and metaphor. Which is why Bruce ends not with an equation, but with Keats:
Beauty is truth, truth beauty — that is all ye know on earth, and all ye need to know.
Watch the full class — and share it with anyone who still believes the machine does the thinking.
This class builds on Bruce's recent work. New here? Start with these:
—Promethean Action Editorial Staff
PS: The 2026 midterms will decide whether President Trump's agenda accelerates — or gets reversed and crushed. Promethean PAC's Midterm Bootcamp is a semi-monthly training series equipping activists, candidates, and grassroots leaders to win. Sign up and check your email for the next Zoom link.
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A full-size statue of Beethoven once stood behind the Boston Symphony. Toni Sellars and Mindy Pechenuk on how deep this music ran in 19th-century America — and who spent the next century getting it out.
Everyone quotes "the pursuit of happiness." Almost nobody can define it. In the final class of her series, Judy Hodgkiss opens Leibniz's science of happiness — the philosophy Jefferson's generation absorbed and wrote into the Declaration.
A 20-year-old George Washington crashed a party he wasn't invited to — and walked out with a poem. Judy Hodgkiss on how Alexander Pope's Essay on Man carried Leibniz's ideas from a fugitive English lord into the Declaration of Independence.
Everyone "knows" the Declaration came from John Locke. Judy Hodgkiss says that's the British version of our history. The real source of "the pursuit of happiness" was Leibniz — carried into the colonies by a disgraced English lord and straight to Jefferson's desk.
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